![]() Ozone 9 is very interesting technology, I wasn’t sure how sophisticated it was going to be but it is pretty darn sophisticated!ĭoes it sound exactly the same? No, because Emily would have gotten there in many other different ways. The don’t forget you can enter to win 1 of 3 copies of the Ozone 9! (Scroll up to enter!) Let’s start by listening to it in these scenarios This is going to be a very interesting episode. They’re not quite blobs but they are very aggressively compressed and limited. We’re getting tracks all the time and mastering engineers are getting them and. – What can it do with that? That is the world that most of us are in. I think the biggest thing for Ozone 9 for me is to see what it does with those in the box tracks because when you’ve committed and you’re starting to use tracks that are pretty close to being limited. – We’re going to see how that shoots out later in the video below. I also have the benefit of a world-class mastering engineer doing that. We also have a track that I mixed and referenced an older album t do. I have quite a few mixes here that aren’t necessarily square away but printed pretty hot. ![]() We end up putting stuff on the master bus and use it a little bit more aggressively than we would when we are mixing through consoles. I find that almost every mix I’ve done in the box and those that I’ve been sent that were mixed in the box come in pretty darn hot. One of the things that tend to happen now that we are increasingly mixing in the box is we tend to mix at almost mastered levels. One of the best things about this episode is you have a chance to win 1 of 3 copies of Ozone 9! (Scroll up to enter) ![]() Take the EQ, Compression, all the other settings and then apply them to your track! That is something I really want to try out plus I want to hear some of the presets and see how Ozone 9 works. Basically, you can lay in an already mastered reference track, and then Ozone 9 will read it.
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